Nothing beats a strong voice, an electric guitar, and a driving drum.
Such a phenomenally beautiful song from a band that just gets better and better with each new album. And opening for Angel Olsen, no less…
The perfect recovery song to sink into the sadness and own it; to leave you lonely, drunk, and spoiling for a fight.
What if we’re barbie girls, living in a barbie world?
I’ll make all the walls fall down.
When you review music as part of your daily bread, you hear a lot of music. You can usually tell within the first 20 seconds whether or not you want to keep listening, and by the second song you get to know an artist.
Within one minute of listening to Rose Droll I thought, “This girl needs a recording contract.” I want to see what she can do with unlimited resources and support. Droll has an innate ability to write songs that aren’t overthought but are thoughtful. They are truthful, they are beautiful, they levitate with depth but are soft enough to experience on multiple levels–with investment, committing to the complexity of every note and lyric, or within distraction, as a soundtrack to your transitional life. This is music at its best–fresh and raw, with a unique viewpoint.
Droll has unleashed mucho music this year from a massive reservoir of unreleased tracks, and you should support both her and the amazing venue she’s gracing this evening, Amnesia. Then you can say you knew her when she played an intimate Mission District lynch pin after she’s climbed the ladder out of relative obscurity.
So sad to be missing her tonight. Don’t be like me; drop what you’re doing and go! Missed her? No problem. We can see her together at Cafe du Nord on October 15th. PHEW.