Intern-Connectivity: San Francisco History Center

An amazing summary of why we do what we do as history keepers.

Kate Lusheck's avatarUSF's Museum Blog

By Sabrina Oliveros

For the past half year, I’ve been an intern at the Daniel E. Koshland San Francisco History Center (SFHC), which houses a formidable research and archival collection at the San Francisco Public Library. I’ve been assisting a small curatorial team in finding stories from the center’s collections to build an exhibit on the 1915 World’s Fair in San Francisco. It’s an internship that’s further shown me what curatorial work is and how it can be done—and, more importantly, through one particularly resonant story, why it must be done.

The reading room of the Daniel E. Koshland San Francisco History Center. The reading room of the Daniel E. Koshland San Francisco History Center.

By virtue of the SFHC’s location alone, I see a setting where exhibitions can originate and thrive outside of museums. The SFHC is a hybrid of public library, archive, and gallery. With exhibit spaces open to the public at extended hours, free of charge, the SFHC’s…

View original post 650 more words

See & Read: 11/4/2015

(C) Nicole Meldahl, 2015
(C) Nicole Meldahl, 2015

“I adore you as much as the vault of night, / O vessel of sorrow, O deeply silent one, / And I love you even more, my lovely, because you flee me / And because you seem, ornament of my nights, / More ironically, to multiply the miles / That separate my arms from blue immensities.” — Charles Baudelaire

Daily Dose: Sean Rowe, “Ode to Divorce”

Sean Rowe’s latest EP, Her Songs, is currently on epic repeat in my household. Rowe’s voice has always been compelling in its hard-hewn melancholy, but, by interpreting compositions by some of my favorite female artists–Regina Spektor, Sade, Cat Power, Feist, and Lucinda Williams, Neko Case–his baritone seems to take on new dimension. The perfect mood-setter for a rainy Monday in San Francisco.