Relevant To My Interests #1

Without the attention span needed for well-crafted, long-form writing right now, I’m trying to do quick roundups of things that catch my attention. So here you have it, the first edition of what may be regular hot takes on things that are Relevant to My Interests.

Streaming. It took me awhile but I am now fully here for The Bear. So here for it that I blew through both seasons in a few short days. Every single character is written so well, it’s impossible not to love them all even when they dysfunctionally fail us at times. Want to best friends with Ayo Edebiri now, and, of course have a big ‘ole crush on Jeremy Allen White in all his young Gene Wilder glory. Plus, soundtrack on point. So many old favorites (Kevin Morby, Pearl Jam, Van Morrison, David Byrne, Radiohead, Andrew Bird, on and on) as well as solid new-to-me’s in the middle.

Eating/Drinking. A midweek meeting had me at Spec’s chatting with the bar’s owner, Maralisa, and longtime bartender, Mike, about history and other sorts of things in preparation for WNP’s second neighborhood trivia night with Fort Point Beer Co. on August 1st. Spec’s is central to my identity. I spent most of my 20s trying to understand my 20s in this bar. They have fancy natural wines now but I’m still partial to the house Cab or a Rye Whiskey. Afterwards, a group of us history gals met for dinner at Sam’s Grill for some solid Clam Chowder and Stuffed Petrale Sole “Marguery,” which is basically a seafood Turducken. We capped of our night in a very Wednesday-night-empty Pagan Idol. Downtown San Francisco is very different now but it most definitely still has its charms.

Wanted to watch the newest season of Endeavour so bad that I paid my boyfriend $8 for the pleasure of watching it via his Amazon Prime account. Only three episodes this season and I have a feeling Morse and Joan aren’t gonna get it together, but Shaun Evans has a great directorial eye and, again, soundtrack on point. Puccini, Verdi, Brahms, Chopin, Rachmaninoff….gangs all here. If you’ve been wanting to get into classical and opera but don’t know where to start, now you do!

You know what really holds up? Castle. Nathan Filion is a national treasure and this is good clean primetime murder comedy fun. Fun that, so far, doesn’t have the cringey aftertaste that can linger after watching some beloved beforetimes shows. And please, let us all stand for It’s Always Sunny in Philadelphia. We are now 16 ridiculous seasons in and I love it as much now as I did in 2005. Charlie Day forever. These are my sleepytime shows, lighthearted fare that I use when I’m not awake enough to read but not quite tired enough to go under naturally.

Reading. Tackling California, a Slave State by Jean Pfaelzer in preparation for a California Historical Society (CHS) virtual presentation I’ll be moderating on July 11th. The last book I read that rewrote my entire understanding of history like this was Jill Lepore’s These Truths: A History of the United States. Before that? Probably Howard Zinn’s A People’s History of the United States. Not an easy read but, also, it shouldn’t be. A chapter on Spanish priests raping native women as a tool of conquest, another on enslaved African Americans fleeing to freedom in California only to find bondage by a different name here, another on the privatized prisons and extorted prison labor dating back to the 1850s. We’re a long way from the Gold Rush but have we really come that far? I don’t know. A particularly meaningful read in light of the Supreme Court’s ruling against affirmative action in college admissions this week. I’m not sure where this country is going and, as it turns out, I still have a lot to learn about where it’s been despite working as an historian and archivist for almost 20 years.

Otherwise, am totally obsessed with Adam Frank’s recent article “Scientists Found Ripples in Space and Time. And You Have to Buy Groceries” for The Atlantic. The Nanohertz Observatory for Gravitational Waves thinks we’ve located a cosmic background of ripples in time-space, which means waves from the birth of the universe are echoing back to us. Time is, in fact, not linear and we are, in-fact, on the same wavelength as our ancestors. As Frank writes, “All of a sudden, we know that we are humming in tune with the entire universe, that each of us contains the signature of everything that has ever been.” In other words: everything, everywhere, all at once. I don’t want to say I told you so but also…I told you so. Can’t wait to pick up Leonard Shlain’s masterful Art & Physics: Parallel Visions in Space, Time and Light back up when I’m done with my CHS homework to explore the origins of all this further.

One final mention for “Pasolini on Caravaggio’s Artificial Light” that was just published in The Paris Review. Pier Paolo Pasolini is one of my favorite poets. An Italian intellectual who did all the things as a novelist, journalist, filmmaker, playwright, actor, visual artist and who died way too early. Chasing, understanding, capturing, and harnessing light is a multi-genre pursuit, inherent in all great works of art, science, and math (see Shlain above). But, simply put, we need light to see. To me, Pasolini is one of the best at describing what he sees and both artists are incredible at showing us things we normally miss in the shadows.

Learning. As they say, I was today years old when I learned that Love Letters, a WRDSMTH print I fell in love with purchased a few years back, is drawn from an iconic photograph called Le Baiser de l’Hotel de Ville or The Kiss by the Hotel de Ville Robert Doisneau. I have always loved this photo but had never taken the time to understand it. Now I understand both works better.

Thanks to comped NightLife tickets, we got a very entertaining and informative history of the California Academy of Sciences from VERA! during Drag Story Hour. I’m a sucker for existential philosophy jokes and they served and a Hegel and a Kant quip. *heart explodes* But the main event was a panel discussion that made space for badass women in STEM: Dr. Amy Fiedler, a cardiac surgeon and member of the first all-woman heart transplant team; astrophysicist Dr. Nia Imara; Dr. Alex Hanna, director of research for the Distributed AI Research Institute; and my newest professional friend, Cal Academy’s Head Librarian Rebekah Kim were all part of this amazing lineup of inspiring women. Personally, I could have done without the comedian who moderated this panel and made a wild decision to open a discussion on patriarchy with a dick joke, but maybe that’s just me. Also, I’d like to point out that all four panelists spent much of their time talking about the importance of history in their work. So, maybe it’s time we stopped funneling funding in STEM separate from art and history? Just saying…it’s frustrating to be at events where people primarily discuss history but nobody talks about history.

Listening. Albums I’ve returned to on repeat during my walks to work this week are as follows in no particular order: Sonora by Joel P. West; I Love You, Honeybear by Father John Misty; Sun by Cat Power; Young Man in America by Anais Mitchell; Pacific by Roo Panes; New Mythology by Nick Mulvey; and (the real curveball in this mix) Life After Death by The Notorious B.I.G.

See & Read: 11/4/2015

(C) Nicole Meldahl, 2015
(C) Nicole Meldahl, 2015

“I adore you as much as the vault of night, / O vessel of sorrow, O deeply silent one, / And I love you even more, my lovely, because you flee me / And because you seem, ornament of my nights, / More ironically, to multiply the miles / That separate my arms from blue immensities.” — Charles Baudelaire

Win Tickets to Phono del Sol!

Panoramic view of Phono del Sol, July 2014.
Panoramic view of Phono del Sol, July 2014.

Phono del Sol is a one-day music festival staged in Potrero del Sol Park by John Vanderslice’s magnificent Tiny Telephone recording studio in conjunction with Do The Bay and The Bay Bridged. It is kid friendly, music focused, civilized and affordable with a great selection of local food and beverages. Much to my chagrin, I’ll be missing my favorite California music festival this year because it’s wedding season and two more beautiful humans in our lives are getting hitched on the SAME DAY, July 11th.

My loss, however, is your gain. Due to the double-booking, Nostos Algos is giving away two regular admission tickets to Phono del Sol (a $60 value). To win these tickets, you need to:

  1. Become a subscriber to Nostos Algos by clicking the “Follow” button, and tell your friends how awesome we are somewhere on Internet (Facebook, Twitter, Instagram, etc)
  2. Send an email to nostosnic@gmail.com (subject header “Phono del Sol Giveaway”) that includes your full name, where you promoted us, and a short explanation for why you want the tickets. Extra credit awarded if you include a photo from the last local concert you attended.

All entries must be received by midnight on July 3rd, 2015, and the winner will be notified of their remarkable good fortune on America’s birthday, July 4th, 2015. Below you’ll find a selection of my favorite bands, and you can peruse other offerings on the festival’s website.

Sonny & The Sunsets: Sonny Smith has become is a prolific staple of the local music scene in San Francisco. While I’ve seen him perform live many times over the years, I never know what the next show will hold. He is a spontaneous, musically brilliant goofball playing infections 1960s-inspired garage rock that seemingly rolls ashore with the surf at Ocean Beach.


Everyone Is Dirty: This Oakland band is on the verge of many things, most imminently of breaking out from indie obscurity into the limelight. Just like their city, these East Bayers blend raw kickass with polished perspective to deliver a uniquely California sound. So much energy, so great live–they’ll provide a wonderful compliment to the skateboarders shredding next to the main stage.


Tiaras: The debut album from Tiaras has just been released by Mt.St.Mnt (pronounced Mount Saint Mountain), a colony of creators that publish printed and audio art in limited batches. With the indie music scene in San Francisco endangered by real estate scarcity and superficial patrons, this band and this project give us hope for what’s artistically in store for the Bay Area.


Scary Little Friends: Another local band that offers a beautiful 60s-80s-90s mashup of sound imubed with a Jeff Buckley vulnerability that is hard to authentically master. Each song on their album From the Beginning brings such a different vibe that it was impossible to pick just one feature, so you’ll find the first two tracks available for a listen below. So bummed to be missing them.


Tanlines: Never fail, listening to this synth-pop duo makes me want to watch Empire Records. Perhaps its the way the album’s 1980s evocation sparks 1990s nostalgia in my listening heart. Whatever the reason, the band’s newest album Highlights is polished and pleasant from first to last. Also, they built a website that mimics Netflix in a subtle commentary on consumer culture. Brilliant through and through.

The Dreamscapes of Clare Elsaesser

Sweet Dreams
Sweet Dreams

Clare Elsaesser is one of my favorite artists because she draws realistic dreamscapes, the real reimagined. She lives and works in Jenner, California–a seemingly imagined place made real that’s nestled on the Northern California Coast where the Russian River meets the Pacific Ocean.

Ring of Roses
Ring of Roses

Good art, bad art–it’s all subjective, so the real measure of a piece is the emotional response it elicits and, thus, the connection it creates with the viewer. This is one of Elsaesser’s greatest gifts: her art is relatable yet elevated, like when you read a poem and it explains your emotions in ways you never could. Her compositions are innocently voyeuristic, as in “To The Night,” and refreshingly irreverent without losing their impact, as with “Pillow Land.”

Tiny Pony
Tiny Pony

She works with matte acrylics, textured watercolor paper, wood panels and also incorporates sewing into her work, which is for sale in forms ranging from original paintings to 5×7 prints on her ETSY site. You can also keep up with her ongoing work in a variety of outlets (Instagram, Pinterest, Blogspot, Facebook), and might I suggest giving her prints as gifts? I did just that, for Christmas a few years ago, and her affordable gems were a smashing success.

An Apology to Carolyn Cassady, 1923-2013

Carolyn Cassady

When I was 15, my English teacher told me to read On The Road and it changed my life. I became obsessed with all things Beat, reading voraciously and writing terrible poetry. Terrible, terrible poetry. At a time when my peers were swooning over your Josh Hartnetts or Paul Walkers, I was mooning over Jack Kerouac (with Chipper Jones as a close runner-up). To be sure, I wasn’t immune from the Hartnett-Walker whirlwind, but I prayed at a different altar.

Two years later it was time to go to college, and I was San Francisco bound. I arrived in our fair City with the naiveté to expect an entrenched Beatitude that was gone, beaten out by the first Tech Boom. I eagerly visited North Beach only to find a few bars that looked the part but were off-limits to an underager, and a mess of tourist traps. In the middle of this was and still is City Lights–the Ferlinghetti shop that time forgot–and this became the epicenter for my growing pains. I took to the City in spite of our initial misunderstanding, and even gave an obnoxious interview to the Golden Gate Express in which I pompously trash my childhood home in praise of the North in 2007. What can I say: there is no remedy for the arrogance of youth except to age, and the internet remembers it all.

I give you this background to note my attachment to the men of the Beat Generation: first Kerouac, in my teenage lust, then Ginsberg as I grew, and now–over a quarter century at my heels–a fan of Ferlinghetti. Beat women, however, never garnered much of my attention as they also did not from the media at large. This is because Beat literature marginalizes them as play-things and homemakers–or both in the case of Carolyn Cassady. They were plot points to be plotted, not characters at the wheel. Without my feminist footing, I unconsciously viewed them as the same. I only paid lip service to Diane DiPrima and never read works by Carolyn because, from my high horse, I assumed her books were the profiteering of a mediocre writer who benefited from liaisons with famous men. But I didn’t know anything about Carolyn save for the sound bytes I’d been fed from the fictionalized spoon of Kerouacian “history.” I knew she was beautiful and admired by mythical men, and in my youth that was enough to pantomime–but that is a very shallow well.

Carolyn Cassady died on September 20th at a hospital near her home in England, and obituaries which have run in reputable publications such as The Washington Post and The New York Times note the passing of this woman but barely mention her work. Instead, they marginalize her yet again as a Beat punctuation and devote more time to describing the men in her life than they do to her own accomplishments. The kinder ones tag her as a writer first, and the former wife of Neal Cassady second. If truth were told Carolyn Robinson, her maiden name, was an artist–an educated painter who excelled at set design. Carolyn Cassady became a writer of necessity to inject a dose of reality into the mythologized narrative of her own life; she wrote to add her own voice to her own biography. Her version, however, was not the one people wanted to hear. So, instead she’s remembered as the woman shared by Kerouac and Cassady (or not remembered at all), not as the conservatively raised artist who fell in love with a man marked by madness and did all she could to keep her marriage intact. After all, it was the 1950s and she was not as bohemian as the world had painted her.

Carolyn Robinson Cassady was a remarkable woman with impenetrable strength, and I am a remarkable ass for not realizing that sooner. In light of this, Ms. Robinson, I offer an apology. I am sorry that your story was told but not heard. I am sorry that those men failed you, repeatedly. I am sorry. Now, rest in peace.

 

 

The Pixel Painter: Hal Lasko

<p><a href=”http://vimeo.com/70748579″>The Pixel Painter</a> from <a href=”http://vimeo.com/user19668988″>The Pixel Painter</a> on <a href=”https://vimeo.com”>Vimeo</a&gt;.</p>

I love America (to be differentiated from ‘Merica), but we as Americans suffer from a lack of reverence for our elderly. Perhaps my job as an archivist has skewed my awareness towards the importance of listening and remembering, to acknowledging the feat of having lived, loved and lost, and continued. Perhaps it’s because I can no longer speak with my own grandparents, but this video of Hal Lasko spoke to me. Alright, I admit it, this video made me cry from it’s sheer beauty: the beauty of perseverance, a dedication to the grasping of Joy while  one still can in whatever form one can.

This man is the embodiment of the American spirit. To purchase a print of one of his pixel works, go to his WEBSITE.