Diary of Lois Elaine Jelin: Entry Nine

Entry Nine

Thursday Teus, January 9                      Weather marked as half Clear, half Cloudy

Dear Diary,

Ate dinner over Jean’s & then watched Uncle Milty [sic] except Ken Murry [sic] took his place. Found out that Robert loves / or likes me very much me and the only reason he doesn’t do anything is he — cause I’m moving in two weeks & it would be useless to start anything.

Diary of Lois Elaine Jelin: Entry Six

Editorial Note:

Featured above, for your viewing pleasure, is the original theatrical trailer for the film “Halls of Montezuma” starring none other than Jack Palace and Robert Wagner.

Entry Six

Monday, January 6                                                 Weather marked as Clear.

Dear Diary,

Gave Ilene her morning feeding. Came home about 4:00 pm. Took a shower & got dressed. Hal & I went to show saw “Halls of Montazuma” [sic] was a good picture. Got home 10:50 p.m. So I went next door & baby-sat. (Bubie stayed there till I came)

Diary of Lois Elaine Jelin: The Beginning

On a recent spontaneous roadtrip up the California coastline, I took a turn inland after stopping to rest where the Russian River runs into the Pacific. Taking scenic Highway 116, it wasn’t long before I found a town that time had forgotten: Duncans Mills. Situated halfway between Jenner and Guerneville, this non sequitur of a former railroad depot town has been gentrified into the perfectly bourgeois roadside respite for all those upper middle class San Franciscans on their way to Napa after roughing it at the Tomales Bay Oyster Company. Come here in June and you’ll find the Russian River Rodeo, well advertised by one of the shop owners who wore a sequined camouflage hat sporting its logo. In July, you’ll find Civil War Days. On New Years Eve, however, you’ll only find the little cluster of shops that have reinvigorated Gold Rush era storefronts.

In one of these very shops, I purchased a black, leather bound E. Broox Randall & Sons, Inc. day planner, most likely given complimentarily by Viola Morton whose name is embossed in gold in the lower right hand corner of the front cover. Although issued in 1941, the planner was appropriated as the 1951 diary of Lois Elaine Jelin. Having just moved from 3337 City Terrace Drive, Los Angeles 63, California [Click HERE to see the Google Street View of the house today] to 5323 Allott Ave., Van Nuys, California, State 41950 [Click HERE to see the Google Street View of the house today], young Lois recorded her thoughts each day in this little keeper of secrets, updating the day to one proper for the adjusted year and also recording the weather in a tiny chart provided in the upper right corner of each page as either Clear, Cloudy, Rain, or Snow. For the rest of the year, dear readers, you will step into the world of a Southern California teenager in 1951 as I update this site with the corresponding entry from Lois. Since it’s January 3rd, I’ll be playing catch-up in this post by including the first three entires. However, from this day forward the saga of this fourteen year old will be related one day at a time. Just as Lois lived it.

Entry One

Wednesday Mon., January 1                                             Weather marked as Clear.

Dear Diary,

We [Unc Lou, Aunt Clara, Mom, Dad, Babie Butch] all went out for Breakfast & then Unc Lou went back to Washington. Watched the Rose bowl game & Parade. It was good. Listened to the Texas & Tennessee game it was wonderful. Got my monthly visit today and she caused a lot of pain. Hal called.

Entry Two

Thursday, January 2                                                         Weather marked as Clear.

Dear Diary,

The first day of school this year was wonderful. All of the kids look good. Theres [sic] not much to say except that Robert looks very well. (So does Manuel). Sold our house & it went into Escrow today. We ate dinner at Frank’s tonight to celebrate. Harriet came over to watch T.V.

Entry Three

Friday Wend., January 3                                                    Weather marked as Clear.

Dear Diary,

Stayed home from school today, didn’t feel to [sic] good. Jean called said that the “A9’s” got their small pictures. I wonder how mine came out!

Papa

It’s interesting, what memories remain. John Berger states in his collection of essays titled About Looking that only the frame of a life continues, while the rest, the idiosyncratic experiences that act as content, is like daily newsprint: forgotten practically before the ink is dry. My memories seem to follow suit. I remember my childhood vaguely as happy and well adjusted, but individual memories have largely become the fodder of yesterday’s news, composted into the foundation of my adult life. They are my maker, and I not their master. Blame this on one too many nights of heavy drinking during my “experimental” college years, the fact that computer memory now substitutes for its organic human predecessor, or whatever you desire. Regardless of the reason, in the wake of my father’s death I’m acutely aware of what my memory chooses to frame.

As a wee little lassie my Father would take me with him to pick up a Racing Form from the local newsstand around the corner from our humble house situated in a Horse Racing mecca at the southern end of California. I piled my gangly, uncoordinated limbs into his Acura, which always smelled new with a hint of the vanilla air fresheners so despised by my Mother, and away we’d go through traffic with the greatest of ease.  He navigated using a system I would come to call ‘Blind Driving”–a technique which entailed drifting from one lane divider to the next. From the center, slowly to the left until eanh eaNH EANH!! Thwump thwump thwump. Whoops. Center again and then the process repeated to the right of the lane. Back and forth, back and forth; a relatively soothing sway to an unlicensed driver with no concept of danger.

It was during these trips that I came to understand I was special because my Father had magic powers: he controlled traffic lights. When approaching a red light, my Father merely had to blow in its general direction and the light magically turned green. My Father was the Jack Frost of traffic control.  Once we arrived, I waited for him in the car certain he’d return with a treat. What would it be this time?  A lollipop? A Kit Kat? No, a Snickers?! It was anyone’s guess. Inevitably he’d shower me with more candy than one kid could stomach (a diabetic vicariously indulging his sweet tooth through his daughter), and we would eat most of it in the car so my Mother would be none the wiser. While exceeding my sugar intake for the week, he taught me  how to whistle and snap: two valuable assets for a tomboy living in the Land of the Boys. I cannot convey how many hours were spent snapping and whistling. Or rather my Father snapping and whistling and I snapping and spraying soundless wet air onto the Acura’s dash, much to his chagrin.

I never did learn to whistle. As for my Father’s magical powers, well, I suppose you can chalk it up to a slight of wind executed by watching the opposing signal as it turned yellow and thusly timing his gust to coincide with an inevitable green. Be that what it may, I know what I remember. I remember a life filled with green lights, free passages, and cloudless intersections thanks in no small part to my  Father’s protection and guiding wisdom. And now that this memory is framed in print, saved from the cyclical scourge of forgetfulness, my Father’s magic is no longer a hazy biographical fragment  but an integral component of narrative in the story of a daughter and her father. Act I, Scene I.

Curtain.